A Christmas Carol (Penguin Christmas Classics) by Charles Dickens

By Charles Dickens

One of 5 cherished Christmas classics
First released on December 19, 1843, A Christmas Carol used to be an fast vintage: Londoners thronged to listen to Dickens learn it in individual and acquired out the 1st printing in days. Its reception was once so ecstatic that it truly is credited with supporting to restore curiosity one of the Victorians in Christmas traditions, together with caroling and vacation playing cards, in addition to inciting an unforeseen wave of charitable giving from Britain’s business Age robber barons. Originally conceived as a pamphlet opposed to exploitative capitalism earlier than taking its present shape, it has encouraged dozens of theatrical and film adaptions, and its characters, from Scrooge to Tiny Tim, are endlessly inscribed in our hearts and minds.

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Extra resources for A Christmas Carol (Penguin Christmas Classics)

Sample text

Macdonald in 1855 curses the 1844 Act. ’’ But that does not stop him from analyzing the invention’s effects upon the lower classes. 6 In the early twentieth century, R. H. Mottram suggested that it was impossible to forego such sensational language because the modern capitalist economy itself was not yet fully formed, theorized, or professionally articulated. ’’ Unable to cancel affect completely from his own rhetoric, the writer assumes an objective, condescending attitude towards the ostensibly less economically sophisticated Victorians when he dramatically opines that, ‘‘The comparatively new and obscure force of credit was a young and tender plant, promising much, deceiving so tragically .

In other words, a culture that continually banks on panic would naturally produce overdrawn (that is, representing economic lack as well as stylistic excess) accounts, if you will, not only at the bank but in the culture’s literature as well. Indeed, it is well to remember Adam Smith’s turn to literature to fill gaps in the relationship between cause and effect: literature, particularly the Gothic, fills the gap that opens up in economics when that science views emotional and psychological accounts of the subject’s reactions to economic panic as illegitimate data.

In a similar vein, banking crises had come to be viewed as ‘‘fevers’’ necessarily recycling through the period at ten-year intervals that brought madness and, ostensibly, eventual catharsis and stability. Clearly, sexual panic and economic consolidation underwrite the letters between the lovers. 27 Bagehot’s inappropriate joke would probably not have done much to erase his fiance´e’s psychological anxiety nor the virgin’s subliminal concerns about the precipitate sexual duties of marriage. Implicitly referring to those sexual duties, Eliza calls the planning of the wedding ‘‘a dreadful ordeal’’ and worries about backing out at the last minute.

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