By Jane Austen
Aşk ve Gurur, taşralı bir beyfendinin kızı olan Elizabeth Bennett ile varlıklı ve soylu toprak sahibi Fitzwilliam Darcy arasındaki çatışmayı anlatır. Gerçi Jane Austen bu iki karakteri birbirlerinin tuzağına düşmüş kişiler gibi sunar, ama "ilk izlenim"i tersine çevirmekte gecikmez: Soyluluk ve servetten kaynaklanan "gurur" ile elizabeth'in ailesinin soylu olmayışı karşısında beslediği "önyargı", Darcy'yi mesafeli davranmak zorunda bırakır. Elizabeth'in davranışında da hem özsaygının uyandırdığı "gurur", hem de Darcy'nin züppeliği karşısındaki "önyargı" etkili olur. Zeki ve coşkulu Elizabeth yalnızca Austen'ın en çok sevdiği kadın kahramanı değil, aynı zaman bütün İngiliz edebiyatının en çok ilgi uyandıran kadın roman kişiliklerinden biridir. Sıradan insanların günlük yaşamlarını işleyerek romana ilk kez belirgin bir smooth nitelik kazandıran Austen'ın en sevilen romanlarından biri olan Aşk ve gurur'u, Nihal Yeğinobalı'nın yetkin Türkçesiyle sunuyoruz.
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Author identify: Tom Sharpe (Born: 1928/03/30 / Died: 2013/06/06)
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Macdonald in 1855 curses the 1844 Act. ’’ But that does not stop him from analyzing the invention’s effects upon the lower classes. 6 In the early twentieth century, R. H. Mottram suggested that it was impossible to forego such sensational language because the modern capitalist economy itself was not yet fully formed, theorized, or professionally articulated. ’’ Unable to cancel affect completely from his own rhetoric, the writer assumes an objective, condescending attitude towards the ostensibly less economically sophisticated Victorians when he dramatically opines that, ‘‘The comparatively new and obscure force of credit was a young and tender plant, promising much, deceiving so tragically .
In other words, a culture that continually banks on panic would naturally produce overdrawn (that is, representing economic lack as well as stylistic excess) accounts, if you will, not only at the bank but in the culture’s literature as well. Indeed, it is well to remember Adam Smith’s turn to literature to fill gaps in the relationship between cause and effect: literature, particularly the Gothic, fills the gap that opens up in economics when that science views emotional and psychological accounts of the subject’s reactions to economic panic as illegitimate data.
In a similar vein, banking crises had come to be viewed as ‘‘fevers’’ necessarily recycling through the period at ten-year intervals that brought madness and, ostensibly, eventual catharsis and stability. Clearly, sexual panic and economic consolidation underwrite the letters between the lovers. 27 Bagehot’s inappropriate joke would probably not have done much to erase his fiance´e’s psychological anxiety nor the virgin’s subliminal concerns about the precipitate sexual duties of marriage. Implicitly referring to those sexual duties, Eliza calls the planning of the wedding ‘‘a dreadful ordeal’’ and worries about backing out at the last minute.