Anachipteria aegyptiaca n. sp.: Eine neue Art der Gattung by M. E. Abd-el-Hamid (auth.)

By M. E. Abd-el-Hamid (auth.)

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Evidence of this likely encounter is seen in the Futurist’s Photodynamism of Anton Giulio Bragaglia, and the effects observed in various paintings of Carlo Carrà, Giacomo Balla, Gino Severini and Boccioni. In their movement paintings the Futurist artists rearticulate the way the camera captures the moving image on a single plate photograph. 7 Boccioni The work of Boccioni is seminal in the representation of the invisibility of matter. It is based on a rejection of the scientific research of the time, aligned with the work of Marey, and is embedded with Bergson’s philosophy on duration, movement and matter.

Org/wiki/The_Diamond_Age. Retrieved 12 July 2010. 28 Materiality and Immateriality of Art in the Age of Nanotechnology 15 James Gimzewski used a Scanning Tunnelling Microscope to push atoms around. In 1996, as a scientist at the IBM Research Division’s Zurich laboratory, Gimzewski built an abacus with individual molecules as beads with a diameter of less than one nanometre (one billionth of a metre). 16 Cartesian logic comes from René Descartes (1596–1650), a French philosopher who believed that people, the world and the universe all work like the mechanism of a clock as though everything was a well-oiled machine.

18 Simon Penny also states that ‘[A] basic premise of Artificial Life, at least in the words of one of its major proponents, Christopher Langton, is the possibility of separation of the “informational content” of life from its “material substrate”’ (Penny 1997). The body that has 18 per cent of its chemical compound made up of carbon holds the graphite pencil at the periphery of its traditional physical boundary as a prosthetic device. When we use graphite from the carbon family as a material its inherent energy and agency are employed when drawing our ideas onto paper.

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